Short extract from Claudio Biazzetti’s article posted on Rollingstone.it on 19th february 2019.
“… In support of the best italian live band there’s the greatest stage setup ever seen here. Only in the last Justice tour it was possible to enjoy a similar choreography of led screens, hanged on the ceiling but free to take crazy positions thanks to motorised pulleys. But not even the two straight-beat-drum Parisian guys had under their feet a modular stage, able to change the geometries by moving back and forward independently.
Samuel also climb up on one of the hanged screen to perform Respirare. He is a little bit harnessed but spectacular, just like a Kanye from the last Saint Pablo Tour… “
The full article here in the press review: