Clockenflap is one of Asia’s biggest multi-genre music festivals, held each year in Hong Kong. Now ten years old, the festival is a firm favorite in the region, with its extensive program of music, art, film, and other activities.
In addition to a line-up of internationally renowned artistes — which this year included Erykah Badu, David Byrne, Khalid, Roni Size, Interpol, Caribou, Anpu, and The Vaccines — the festival also offers a platform to local talent, helping them reach a wider audience.
For the 2018 edition of the festival, which ran November 9 – 11, the main (Harbourflap) stage and second stage were managed by Alto Stage Management, who called in Davide Linzi of Mister X Service as audio system designer for both and front-of-house engineer for the main stage (assisting productions with their own sound engineer).
Linzi explains why he took Outline’s Newton multi-source audio processor with him for the important event. “I decided to take Newton to Clockenflap because I needed a fast versatile unit that enabled me to create a matrix of inputs and outputs that was fast and effective to manage and control. My workflow required 10 independent inputs always connected with the left-right-sub-front fill of the main S6L console, left-right-sub-front fill of the guest console, lef-right of a production mixer handling walk-in music, publicity audio and emergency and MC mics; the outputs on the other hand involved independent control of left-right-sub-front fill – left-right-outfill, left/right delay, a stereo feed for streaming, a reference signal for Smaart and a pair of Dante signals for left/right recording if requested. The major EQ settings carried out during PA tuning were done on Newton, as were any modifications request by artists’ sound engineers.”
Read the full interview in the press review:
Lighting and Sound America USA